there are lots of producers out there who try really hard to do something else. then, there are these chosen few artists that effortlessly are something else in their own right. durian brothers and their magical array of modified turntables, sequencers and machines belong in this selected circle. so this mini album is a quite special and unconventional release, but that doesnt mean its not dance music - quite the opposite!

kubic records present kr006 (100 limited vinyl). in its sixth installment kubic records brings the underground sound of techno and the underground sound of deep house, for it three artists are responsible for this release.
side a1 by presenting their vilence & feyser techno sounds with the track search mind better.
the a2 side by cycle in motions with the track juno wants it.
remember vinyl sounds better.

last may saw the release of illogical directions, the third album by shinedoe, to be released with critical acclaim. surely a mesmerizing highlight in the artist s career, the album represents several deep and melodic excursions in nowadays deep and tech house, while her own imprint intacto records also added a beautiful gem in its discography. now the amsterdam based dj delivers another momentum for the world famous label, with an impressive line-up of producers reshaping some of her already monumental tracks into something completely new. yes, the remixes are upon us!

introducing previous highlife guest, cain for his first vinyl release. weve been asked about nagan joyously infectious vocals all summer since its debut on our rinse show and are excited to finally share it along with highlife exclusive, vatula. think daphni via delhi and youll be in a similar ballpark.

as bass culture proudly reaches its 40th release, it gives us great pleasure to welcome back john jastszebski after he last turned out an ep for us back in 2012. releases for phonogramme and robsoul in the past two years have confirmed that he is a force to be reckoned with in the booming parisian house and techno scene. his approach on the would be back e.p fits in perfectly with the bass culture aesthetic, delivering tracks with a simple immediacy, always loaded with soul in just the right places, but never shirking the all-important groove. > would be back< s sturdy beat leads neatly up to a colourful burst of piano chords and rousing strings that make this into a perfect summer house cut. > fevrier< comes on with an entirely different season in mind, as mysterious and dubby tendrils of synths and samples unfurl around each other with a distinctly wintry mood. > my girl< meanwhile keeps the energy levels up with a stripped back, punchy beat, filling the space in the mix out with rousing pads that soothe and uplift.for a remix of > would be back<, we decided to turn to a long-time legend of the uk house scene, nail. his remix takes a more emotive approach to johns original, dropping in some playful synth lines and dreamy effects with stunning results. reaching across all seasons, situations and times of day and night, the would be back e.p delivers just the kind of versatile house music that sets our souls alight here at bass culture

following and expanding upon the line of thought put forward in her 2013 album syzygy, lucrecia dalt ends in a place familiar, yet noticeably different on her new ep. its two tracks, esotro and veta, continually defy expectation, haunting vocal ballads that trickle into clouds of white noise, but for an acquainted listener that wont surprise.

roberto bosco has selected in recent months kinys music, to better prepare his first 12 inch, consisting of four tracks, named *damaged memory*. the track *unknown* (a1) leads off the dance of the release on last drop records imprint. it is a proper exploration in an unknown sonic territory to most of the people, and also a difficult element to make out for those who are novice to the visionary component in the musical poetic of kiny. the track starts with rounds of recurring sirens, almost deafening, framed by dark and ghostly noises. something not easily identifiable, ambiguous and unknown, as the title itself says, is perceptible in its sound. all this helps to shape a bad presage that fades away into the mystery.

tck are gerd janson , who otherwise runs the spledid running back label and philipp lauer, who produces grand music under his own name and is half of the fantastic arto mwambe. they just remixed sven väth among many other fab projects, atop that are both irresistable deejays and have a pedigree of being some of the nicest blokes that we know! but that all said, you havent eventually heard the best. its called pf01.02.03.04 and are their tracks made for this record.

figure arrives at its 60th release with label mainstay markus suckut. the young german producers sound easily represents some of the most focused, intense and immediate techno around, and he continues his fine run of form with three unique tracks on figure 60.

one of londons most vital parties, continues its growth as a label with the next vinyl instalment of the highly sought after hot ep series from their co-boss : hot 004 by rushmore

on tuff ruff the ethiopian producer blends cultural vocals and swirling synths with a masenqo lute, giving the track its worldly flair. the composition - a seifu-described mix of ethiopian folk and uk garage, doesnt feel like a dance song theres an ancestral vibe at work, something richer than the typical oontz oontz youd hear in nightclubs. as a result, tuff ruff isnt weird at all. just approach it with an open mind.

the highly promising loopy opens its account with a double dose of disorientating, hypnotic botheration from nz-er oliver peryman, ex of labels like samurai horo, tri angle and exit. both cuts are curtly compelling: ss is darting and hyper, knecht more haunted, percussive. on the flip, kassem mosse contributes some elastic, bubbling funk, with characteristic panache, and oren ambarchi settles in for twelve minutes of the frighteners. an excellent ep. watch out for loopy.

for its 5th vinyl release, genesa records gathered some of the most exciting, fresh artists around the world.

deep, dark and instinctive techno/ rhythmic/ industrial/ drone music from manchester uk, are the words that can be found to describe the music of casual violence.. its safe to say that they picture the painting discovered in this new ep. expression unrelated is made up of four tracks as good as they are varied.. on the a side theres burn it all down , pure quality techno 4/4, dark and fleshy, the perfect bullet to hypnotise the dance floor in a few seconds.. youth horde, an interlude/break, deep aquifer on a down tempo beat, which rails in this a side beautifully. on the b side, the track who gave his name to the ep, expression unrelated is a track as dark as it is rhythmic. a broken devasted beat, over 9 minutes of insanity.. sensitive souls beware. we finish off with an outro/intro, where long and hypnotic strings interlace.. as already stated, pure drone music from manchester.

outboxx return to brstl two years on from their first release on the label, tougher and more dance floor focused. although primarily known for deeper house sounds for labels such as futureboogie, they have never been afraid to experiment as exemplified on their debut lp for idle hands. here they turn their attention to deep techno, with two stripped back cuts that retain the warmth of their other productions. sequential circles drills down on a singular, angular riff whilst neatly deployed percusiion hits at just the right moments. moon loop whirls round on a deep spacey groove in keeping with its title. another strong release from the bristol focused brstl label.

boston based production duo and room-mates john barera & will martin continue their journey into sculptural, storytelling house music, with their debut album on dolly - >graceless<.

its with great pleasure we welcome joint leader of london based church imprint, seb wildblood, to the skint calendar alongside illusive newcomer, leo nayor.

ein jahr ist vergangen, seit dj koze sein weltweit mit awards und preisen ausgezeichnetes meisterwerk amygdala veröffentlichte: bestes album in der groove, de:bug, bei byte fm und zündfunk, best album 2 bei resident advisor, dazu gab es den hans musikpreis, den vut indie-award best album und schließlich den echo kritikerpreis. nun erscheint mit reincarnations pt 2, nach reincarnations - the remix chapter 2001-2009 und music is okay (2000), die dritte große werkschau des remix-virtuosen dj koze

lobster theremin gets its first 10 inch release on the white label series via farbwechsel boss and opal tapes releasee, s olbricht. having amassed a discography of murky, unsettling house and techno culled from the belly of the machine, olbricht makes his lt debut with four slices of womb-recorded house and scruffy beats.

the 3rd installement of the bbw series featuring items from new name princess deva alongside bbw regular deepthroat. its a programmed dance-a-thon for your phonograme. functional chaos, acid house inspired, tascam tape recorded music for emotional response.

there is a new force in dance music. faceless, origin unknown, yet undoubtedly producing an indelible sonic footprint, utilising the heavy gravity of earth and its acoustics, vibrations and human voice, the outfit dubbed life beyond earth have entered our atmosphere.

kerri chandler has always taken his music to the next level, hes always been original and pushed the limits throughout his illustrious twenty plus year career, thus giving him the title of a bonafide house legend. digging through the vaults of king street you will see kerris name pop up time and time again and this, the first of two samplers, is designed to celebrate the man and some of his classic contributions to the label.

*in a dream* is the third album from the juan maclean. if anything, this new lp is further evidence of the *undeniable creative chemistry between house music wizard juan maclean and vocalist / former lcd soundsystem member nancy whang* (pitchfork). the album takes its musical cues from moroders munich to the funky nassau sounds of compass point and to anytime in downtown nyc. co-produced by nick millhiser (holy ghost!). the vinyl lp includes a download code.
attention: whole pressing has crackling noise in track d1 (the sun will never set on our love).

next pure traxx comes from ron albrecht (dystopian). dry and serious techno at its best. incl a huge stefan rein remix. thats what we call techno.

as pathway traxx finds itself embarking on a dawn of maturity the now familiar colourful label welcomes in its 4th vinyl only release. this bright yellow vinyl 4th installment welcomes on board relative newcomer on the house scene, amir maglajlija a.k.a. espada.

rotterdam based drum & bass label citrus recordings presents its 61st vinyl installment featuring two amazing new tracks by agressor bunx. straight dancefloor bangers, reminding a bit of those classic bad company tracks!

adam has spent nearly a year crafting his latest full length excursion. aptly entitled irreformable. his latest endeavor is sculpted in innovative sound design and mixed down in full dynamic range. spanning a theme of diverse styles from start to finish irreformable refuses to reform or conform to commercialism. the term all killer no filler applies here.

uk imprint belonging to the stay up forever collective of labels, upon which remixes of tunes were released that were previously available, some of which are from its sister imprint stay up forever. this time wipeouts, a.p., geezer and bosh & josh inc on the remix for the chris liberator & sterling moss anthem im bored.

this time an unique colab ep on flatlife. supersonic bass is a fresh happy feeling acid techno track which is created by sterling moss & jack wax in london, uk. the wipeouts (chris liberator, aaron liberator & sterling moss) forces of anarchy is already a huge classic in the acid techno scene! with the beautiful special artwork from damnrijt this ep is not-to-miss !! get this one - before its sold out!

craig clouse - aka shit and shine - follows up his stunning powder horn release on diagonal with this brand new set of pure heat for gangsigns. clocking in at just over 31 minutes, this brand new lp pushes on from the last just that little bit further, chopping and screwing its way from the dancefloor to the slow jam in six easy steps

known for his past releases on nation, l.i.e.s, and cititrax, chicagos beau wanzer delivers a 12 track lp of archival material culled from tapes stored away from years past, the tracks in question being plucked between 2002-2008. wanzer has stuck to his grotesque guns over the years, keeping his music personal, grating, and down right bizarre. each track takes a narrative of its own, from the languidly vocaled, yet uncannily catchy *mob boss* to the possessed murmurs of *love tone*, wanzer has created a completely unique collection of music which engages the listener all the way through.

foremost international techno outlet drumcode is delighted to announce the release of its next full-length album, satellite, by enduring italian techno talent sam paganini.

saline is the third installment in a series of records from ultramajic boss jimmy edgar. features a track with legendary footwork producer dj rashad.saline is the third installment in a series of records from ultramajic boss jimmy edgar. while the first part, hot inside, represented the element of fire, and its follow-up release, mercurio, symbolized water, saline is aligned with earth. its no accident that the name refers specifically to the earthly compound salt, as desalination is an integral metaphysical process that helps to hone the third eye.

the original, with a well-constructed bassline incorporates a warm up melody that begins to set the tone for the night ahead. each layer is distinct as the track begins to build itself right to its crescendo when each of those individual layers collectively come together. you can distinctly hear the 80 s like synths that are cleverly inserted into the track which are highlighted by the female vocal samples. the grittier elements add a touch of darkness and instantly transport you to a warehouse club with an intimate atmosphere. the remix, done by the widely loved tech-house duo pleasurekraft jack up the tempo a notch, and add a bouncy groove to the track. where the original brought out a darker side, the remix is more upbeat and settles in well for a peak hour set. bringing that crisp bassline to the fore, and tuning out the melodies to make them a tad subtler it showcases a more tech-house version of the original. there s an added element a slightly more haunted vibe which is coupled together with those gritty and harder elements. all i can conclude is what a tech-house bomb this is from the highly talented pleasurekraft. they always manage to bring something new and unique to every single track they ve ever remixed which truly shows their remarkability as consistently good producers.

its hard to believe that its been a year since re.you last delivered one of his patented dark and brooding releases on mobilee, so integral has he become to the identity of anja schneiders berlin-based imprint

its all about the o. the dutch they call onno. the frenchie they call okain. the originality of their international collaboration. the rocking dancefloors and the obvious joy their tunes bring to whooping crowds. two members of the upon.you family join forces in the studio for the very first time, setting things straight for this season with a boiling hot triple treatment thats about to make people go: oooh yeah!

what happens if such restless souls like akiko kiyama and laurine frost start to melt their sounds together? the result is that one of the most interesting piece of art of the forward-thinking techno music becomes alive. ’through the mountains ep’ is a golden section of their utopistic musical imaginations, influenced by classical minimalism, live instruments and the ordered chaos of contemporary techno and found sound elements. all the four tracks contain their recognisable fingerprints. the gently and respectful collaboration is proven by the perfect balance of chemistry. in the collage of their musical layers every tiny sound and every tiny breaks have its own weight and meaning. waving and playful structures, exciting journeys on the edge of reality. 

1821 was a landmark year for the greek nation as we know it today. revolt! is a vinyl only label based in athens and its first outing is a small revolution on its own, bringing carefully selected music under exclusive artists aliases as a manifestation of sonic freedom and truthful yet fearless music. limited edition whitelabel vinyls.

key records have a knack for talent-spotting. over its short history the label, headed by underground advocate freddy k, has plucked early releases from the likes of conrad van orton and shapednoise, whilst drawing attention to the insightful sounds of upstarts pvs and hector oaks on it s most recent release, knife . now comes hector oaks first full ep for key, which sees the madrid-native deliver a cool set of functional floor works, designed with just one thing in mind.

three emotionally driven club tracks straight from the heart of untzz regulars, mic mills, furious frank & bessie. channeling a once prominent adelaide/detroit connection in various forms, mfb present a record fusing golden era techno and electro updated for the modern sound system. freddie norwood lends his trademark burliness to the final cut of one eight four, an epic journey weaving euphoric arpeggios and big bollocks into one tidy parcel. unlike previous releases from the label, one eight four sees untzz twelve inch really find its stride and has struck gold with this record that showcases a glowing adelaide culture. all tracks were recorded and mixed at one eight four, an institution of hedonist lifestyle in adelaide.

inwave prestents its first release with 4 awesome tracks by third child, counrad, plusculaar and lumieux. an amazing split where all artist expressed their own style, as scything sounds, breathy vocals, and a variety of vibes lunge from the darkness. techno-minimal and romanian style that reveal inwave a perfect place to be.

complex adaptive systems are able to adapte and change themselves based on experience. that is dynamic systems with self-organization which gave rise to global behavior called emerging, that cannot be explained by a single physics law. adaptation is reached through the costant redefinition of the connection between system and its environment.

if you could speak the language of the toy, the toy would be so surprised that you would be its king.

gih is back with a sophisticated dub-tech v/a ep. contributing artists are well known activists of the dub techno scene: g.r.i.t., david hausdorf, dubatech/fatih tuter and gblanco, who all delivered their part to the next stop in the label s underlying journey: while humanity is enjoying the benefits of exploiting its clone-counterpart, there is a rising conscience amongst clones against this slavery-like abuse. first acts of open resistance are showing that things will change soon....a -warning- sign for the future.

congratulations you have successfully unlocked your fire chakra! ekranoplan with bluntman round the corner, the wicked mistress of the sea rears her head with the lowest subs heard in the depths of the caspian sea, we present to you, ekranoplan. just as the scotch fear the loch ness monster, the coastal folk of the caspian have long lived in the shadow of this great colossus. a mythical aircraft of gargantuan proportions, the ekranoplan now lies at rest amid the discarded rubble of the soviet dream. this ep paints a more gentle, playful picture of the monster and its mysterious aeronauts

comb eh brush eh crimp eh, oil eh mess eh spoil eh. comb eh brrush eh crimp eh. oil eh mmess eh spoil eh. spoil ehh. spoil eh spooil duhmove to me likure practising urecooos like a ringneckd dove! wind and coil, bend and twist, swells with water, smoothes with oil, now its morning and ive been thinking like allll night, its perfectly natural. take a tissue pick a cherry come save me! take a tissue pick a cherry come save me! take a tissue pick a cherry come save me! take a cherry pick a tissue, my hair its black climb up eh. lean out the window climb up eh

foremost international techno outlet drumcode is delighted to announce the release of its next full-length album, satellite, by enduring italian techno talent sam paganini.

ltd repress, whoever knows of toi toi musik will know they have become synonymous with underground quality and for keeping things close and personal for their events and agency. well, with their new label its no different they stay very true to their identity (a good mix of english and german) and their quality. the 1st ep is produced by the legendary mr g. inspired after playing live at one of their events he wrote the track toi toi, which was later released on djulzs bassculture label. as a consequence, his relationship with the couple is so personal he nurtured them to open their own label and offered them 3 tracks for tt01 called much love ep. the 4th track is a remix by hello? repeat co-owner daze maxim, who has been a guest resident for the party for nearly its entire existence.

national geordie treasure richy ahmed is undoubtedly an original brother and integral cog in the hot creations machine and since his emergence alongside the crew and subsequent blowing up of the scene, richy has become one of the most sought after and hard-working djs on the circuit. now honing his production skills to a fine point, its no surprise hes been showcasing on the label, with last years ‘the drums smashing through on all fronts. richy is now bestowed with the honour of helming the pinnacle 50th release for the ever-ubiquitous label